Tonic Watercolor Sets of 12
Tonic Watercolor Sets of 12
Federal’s original watercolors are now available in a convenient, easy-to-carry metal tin. The Classic Set features twelve overfilled half pans of Tonic Watercolor, thoughtfully curated to include a full range of mixing colors, earth tones, and essential convenience hues. Each of the 12 colors in the Classic Set is made with a single pigment, making them ideal for clean, vibrant mixing.
The new Federal watercolor tins will feel familiar to many artists. Federal has chosen a timeless style, crafted with a durable steel base and finished with an ultra-smooth enamel coating. The enamel surface is excellent for mixing, and the tin includes six distinct mixing areas in various sizes. The base of the tin is flat—there’s no finger loop like many tins of this type—so it stays steady on a work surface during painting.
The set includes all 12 original Tonic colors: #002 Federal Red, #012 Oxide Red, #040 Signal Yellow, #043 Oxide Yellow, #047 Permanent Yellow, #130 Phthalo Evergreen, #220 Prussian Blue, #230 Phthalo Cyan, #245 Ultramarine, #325 Quinacridone Magenta, #360 Titanium White, and #000 Carbon Black. The pans are secured in place with flexible metal rails; artists can flex the rail toward the pan to tighten, or away to release.
Tonic half pans fit into any standard watercolor tin.
Made by real humans in St. Louis, MO.
ABOUT TONIC WATERCOLOR
Tonic Watercolor is made in St. Louis HQ, with a unique formula that they developed over two years of experimentation and research. Federal designed Tonic for maximum pigmentation, and you'll notice that a pan of Tonic is more concentrated than many other artist-grade watercolors.
With just a few drops of water, you can make bold, saturated marks on wet or dry paper. To make typical, translucent watercolor washes, you'll need to add more water than you might expect. Most Tonic colors start out semi-opaque because of their high pigment load, but they open up with water, becoming light and subtle as they're diluted.
At any concentration, Tonic is free-flowing. It's easy to load onto a wet brush, easy to lift from its pan or from paper, and easy to move the brush across watercolor paper. Some brands of watercolor are too sticky or slow-moving to allow painting on dry paper, but with Tonic, you don't need to pre-wet the page for most techniques.
MADE WITH FINE ACACIA GUM
One element of Federal's recipe is highly traditional: they use specially sourced and carefully tested gum arabic as the binder for Tonic watercolors. Gum arabic, which is the plant-based medium of virtually all watercolors, varies wildly in quality and consistency. They learned over dozens of materials tests, some grades and species of gum arabic are totally unsuitable for watercolor. Some are merely acceptable. The best-quality gum arabic (which is what they use in Tonic) offers incredible transparency, flexibility, and handling. That's why Tonic Watercolor Medium is noticeably clearer than many of the other brands on the market.
LIGHTFAST, MODERN PIGMENTS
All Tonic colors are lightfast, with ratings of 7 or 8 on the eight-point Blue Wool Scale. Paintings made with Tonic colors are suitable for commissioned work and for long-term display under appropriate gallery conditions.
TRIPLE-MILLED FOR PERFECT DISPERSION
Federal puts each Tonic color through extensive testing to ensure that the consistency of each dispersion is perfect. That means that each tiny particle of pigment is surrounded by the watercolor medium. Tonic Watercolor is completely free of clumps and inconsistent pigment dispersion—unlike handmade watercolors, which can't achieve the same consistency, and even some cheaper factory-made colors.
Their process for achieving these professional-grade results involves several stages of mixing, milling, and quality checking. First, they use a dispersing blade to pre-mix each color with medium. The pre-mix can take quite some time, because we use such high concentrations of pigment. But when it's done, the paint is a smooth paste without major clumps.
After the pre-mix, Federal uses a three-roll mill to fully disperse the pigment and break up any clumps that are invisible to the naked eye. Each time the paint passes through the mill, it is pushed with incredible force through a tiny gap, generally measuring less than 50 microns (0.05 mm). The shearing force breaks the bonds between nearby pigment particles and turns the paste into a luxuriously smooth, free-flowing watercolor paint.
Three passes through the mill are required to make Tonic silky smooth. This labor-intensive process requires considerable skill from our mill operators, who ensure that each batch meets our exacting standards.
NO ANIMAL PRODUCTS
We're pleased to let you know that Tonic contains no animal-derived products. Unlike many watercolors, Tonic does not contain ox gall — instead, we use modern surfactants to achieve the same effects as the traditional animal-derived recipe.